Monthly Archives: July 2009

More weird and wonderful web comics

A vital part of my Google Reader feeds are web comics. And from time to time I still happen upon new web comics to add to my feed collection. Here’s two which I haven’t mentioned here before.

Pictures for sad children is a quietly sad comic featuring simply drawn characters expressing very honest and simple desires that resonate deeply in a ever more complex world. There is no frustration in their contemplation of the world, only a wonderfully disarming honesty. Like this:

Atomic angst

A softer world is not really a comic at all. Sure, it presents itself through a standard layout of three panels, each containing part of a photo. Together, the three photo panels frame the sordid, candid, and poetic prose that describe unexpected situations, recall sore memories, make bold manifestos – all sparkling in their brevity:



Another thing that I enjoy immensely about both comics is the facts they use the hidden picture “alt text” to add a little secret extra dimension to the comic, often twisting the words or pointing out hidden details in the art. Just hover your mouse cursor over the images to get the text (but note that the alt text on my blog is stuff that I have put in. To get the original comic alt text, you should go to the sites themselves).

Have fun.

Roskilde 2009

Another year, another Roskilde Festival.

As usual, I’ll give a quick summary of the best concerts I attended this year. I’ve done this for the past few years that I have been blogging and attending the festival. But this year, it doesn’t seem quite as relevant to do so. I have been neglecting blogging for quite a while now. It takes a lot of time, which I don’t seem to have these days. And I’ve been growing increasingly frustrated at my own blog posts whenever I do blog: Blogging doesn’t seem to be improving my writing.

I enjoy writing, but lately I’ve found that the way I blog isn’t too conducive to producing high quality prose. Usually, it’s just first drafts, idle thoughts quickly jotted down and published straight away, thus avoiding the careful re-reading, editing, and re-writing that the well-composed essays that I’d like to write require.

But there is another element as to why I haven’t been blogging, and Roskilde Festival is a great example of this: Coming back from the festival, I can see how others already have posted their favourite concerts on Twitter or Facebook, summing up their feelings in short status updates as the concerts were happening. Blogging about it, even just the day after the event seems late and out of context.

So, in my mind, I’ve been changing the focus of this blog a fair bit. Here, I won’t be competing with the real time tweets and status updates. Here, I will place the more detailed status updates from my outboard brain. For my memory and your inspiration. In addition, I will attempt to experiment a bit thoroughly with tweeting, having realized that I might just as well turn my annual Roskilde post into a series of tweets:

andreaslloydMy #rf09 5 best: Magnifico – Slovenian pop wrapped in golden chains and brass horns. Very dansant.

My #rf09 best: Jenny Wilson – Chantreuse igniting the audience with empathic and mature uncanned R’n’B.

My #rf09 best: Analogik – late, late night show of complex beats magicking us away to a hidden balkan sailor’s dive.

My #rf09 best: Malk De Koijn – rhyming to wrap the Danish language inside out: “De er bare kommet for at fyre den konge af.”

My #rf09 best: The Whitest Boy Alive – dance music, beautiful and unimposing in a very Scandinavian way.

There. How does that look?